My Favorite Movies 35 – The Palm Beach Story (Preston Sturges, 1942)

Few directors dominated the early 1940s like Preston Sturges.  While not the first writer-director, Sturges was the most famous early example of a screenwriter who also directed his own films, paving the way for Orson Welles, John Huston and many other.  His impressive run of back to back screwball comedy masterpieces, 5 perfect films from…

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My Favorite Movies 32 – Happy Together (Wong Kar-wai, 1997)

I don’t tend to like directors with flashy visuals.  I’m a Hawks and Rohmer man after all, for me, restrained stylistics are a sign of a master craftsman with nothing to prove.  At least that’s what I think until a director like Wong Kar-wai comes along and I realize I have to rethink my position.…

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My Favorite Movies 31 – Love Me Tonight (Rouben Mamoulian, 1932)

If Hollywood films are all merely bits of magical mythmaking, then the musicals of the 1930s are their apotheosis.  In a world of romantic comedies and westerns, it is not to much of a reach to add “breaking into song and dance” to what one is willing to accept in the name of suspension of…

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My Favorite Movies 30 – Hackers (Iain Softley, 1995)

The A.V. Club, as part of its “New Cult Canon” series, recently published a piece on Hackers.  While it correctly pointed to the impossible allure of a young Angelina Jolie’s face, I felt that it largely failed to adequately describe just what makes Hackers so brilliant.  I’m sure part of the problem is that any attempt to canonize…

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My Favorite Movies 29 – Pandora’s Box (G. W. Pabst, 1929)

Occasionally an actor will turn in a performance so powerful, that it completely permeates every square inch of the film it is a part of.  Usually, as is the case with a film like Last Tango in Paris, the rest of the performances (and the film as a whole) tend to to suffer in comparison.…

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My Favorite Movies 28 – Ordet (Carl Dreyer, 1955)

I’ve been having a hard time keeping these posts spoiler free lately, however, this post is a particularly grievous offender.  Because I will be discussing a film, that, perhaps more than any other, one can only see for the first time once, I’d advise anyone who thinks they might want to watch a slow moving Danish…

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My Favorite Movies 27 – Pickpocket (Robert Bresson, 1959)

Warning, minor spoilers ahoy in today’s review.  Of course, if you have looked at the header image you’re already halfway there, so you may as well keep reading. If claiming to love one director  marks one’s true ascension to film snobdom (moving beyond being someone who is merely “really into Kubrick”) that director would be Robert Bresson.…

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