Mid-month Metal Masterpiece 64: Deathslayer – Cry of the Swords (1984)

I’ve discussed this many times before on this feature, but elitist metalhead snobs LOVE finding bands like Deathslayer.  This New York based group recorded two demos in the early 80s and then just kind of disappeared. But, thanks to a song of theirs ending up on a “New York Metal – 84” compilation LP, and thanks…

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Mid-month Metal Masterpiece 62: Xasthur – Nocturnal Poisoning (2002)

I may joke about Xasthur making the same album over and over again, and that may also be entirely true, but, regardless of whether or not Malefic (the sole creative force behind Xasthur) “Vivaldis” things or not, Xasthur is easily one of my favorite black metal bands of the last fifteen years.  And, like the…

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Mid-month Metal Masterpiece 61: Midnight – Satanic Royalty (2011)

I don’t think it’s fair to heap abuse onto Midnight for being unoriginal.  Sure, they might all be card carrying members of the Venom fan club, but Midnight’s music, and infectious energy, is really quite unique: a nasty mix of first wave black metal, speed metal, and NWOBHM that will absolutely delight you if booze,…

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Mid-month Metal Masterpiece 60: Hic Iacet – Hedonist of the Death

I really don’t listen to all that much death metal anymore, but when I do, it sounds like Spain’s Hic Iacet.  Atmospheric, simplistic, and, above all, EEEEVIL as fuck, Hic Iacet’s debut demo really deserves all the hype that it created.  Sure, maybe by 2011 this kind of stuff isn’t exactly breaking new unhallowed ground,…

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Mid-month Metal Masterpiece 58: W.A.S.P. – W.A.S.P. (1984)

Any metalhead worth their salt will tell you that Glam music is SO NOT METAL. However, no metalhead worth their salt would ever suggest that W.A.S.P. should “leave the hall,” despite W.A.S.P.’s sketchy generic classification which usually lists them as a “hard rock” influenced metal band–at best. Still, no amount of make-up and album cover…

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Mid-month Metal Masterpiece 57: Blasphemy – Blood upon the Altar (1989)

1989 was a pretty brutal year for extreme metal.  Grindcore and death metal had finally used the knowledge culled from a decade of metal malevolence to produce some of the filthiest recordings in the history of music. However, none were quite as filthy, quite as brutal, and quite jaw-droppingly evil as Blasphemy’s debut demo Blood…

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Mid-month Metal Masterpiece 55: Sortilège – Sortilège (1983)

Though France is known for its filthy black metal, you don’t hear as much about more traditional French “heavy metal” bands.  Still, they are out there, and Sortilège is one of the earliest and still the best. Today, I will talk about their legendary debut self-titled EP, one hell of a slab of Gallic heavy metal!…

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